It offers the most compatibility with digital cinemas and Blu-ray without needing frame-rate conversion. What works here and nowĪnd what people in the indie film world seem to be most used to and comfortable with in the UK today is 24fps. I shot a feature film pilot once on 35mm at 25fps (because tapes were still involved in offline editing at that time) and it really freaked out the lab simply because they weren’t used to it. I don’t think anyone can tell the difference between 24 and 25fps, even on a subconscious level, so in Europe it seems we must decide on a purely technical basis.īut in fact, the decision is as much about what people are used to as anything else. Their TV standard of about 30fps has a discernibly different look to the international movie standard of 24fps, so the choice of frame-rate is as much creative as it is technical. At the start of a shoot, as a DP I would have to ask which frame-rate to set.Īmericans and others in NTSC regions are in a different situation. All of these support multiple frame rates, so gradually we found that we had a choice. Three big technological shifts occurred in the late noughties: the delivery of video over the internet, flat-screen TVs and tapeless cameras. Cathode ray tube TVs were similarly inflexible, as was PAL DVD when it emerged.įilm could be shot at 24fps, and generally was for theatrical movies, since most cinema projectors only run at that speed, but film for television was shot at 25fps. The tapes ran at that speed and that was that. When I started out making films at the turn of the millennium, 25fps (or its interlaced variant, 50i) was the only option for video. On smaller, independent films, however, the producer may look to the DP to advise or decide the frame-rate, and at the time of shooting there probably isn’t an editor or anyone engaged for post-production to discuss it with. On a fully-funded production the DP shoots whatever frame-rate the producer needs to deliver the final master in. 25fps and how it will impact you in post when shooting in the UK and other PAL countries.
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